I received my Bachelor's Degree in Theatre and Media Arts from the University of South Carolina. Since then, I've traveled to regional theaters across the country pursuing professional sound and video design. My studies have been evenly split between art and technology. I specialize in creating unique sounds and rhythms by manipulating speed, spectrum, and shape. My most recent projects focus on connection, purpose, and new work.
Waves. Space. Noise. Foley. Harmony. Impact. Reverberation. Rumble. Spark. Thunder. Electricity. Cacophony. Silence.
I am driven by a desire to seek truth and understand the fundamental laws of the universe. I’m naturally curious and enjoy exploring complex problems that spark my interest, always striving for deeper insight. I approach ideas with rationality and critical thinking, challenging assumptions and expectations in the pursuit of knowledge.
I thrive in environments where innovation is encouraged and no idea is off-limits—where I have the freedom to experiment and find better, more efficient solutions. I’m especially drawn to work that values originality and allows me to express a unique vision. Autonomy and creative freedom are important to me, as they enable me to do work that truly inspires.
BELIEVE
Other Voice Theater Company
Directed by Joni Weisfeld
Projection Design by Adam Bintz
A few lines were lifted from each story to give taste of the productions. Quick cuts and musical synchronicity adds to the excitement.
“Believe” is a wordless, immersive, theatrical experience created by THE OTHER VOICE, Directed by Joni Weisfeld. “Believe” is a movement-driven quest, to find faith beneath the wreckage of our post-COVID souls. Faith is neither secular nor non-secular, but rather a state of Trust, and an openness to the Truth, whatever that may be. Three women of varying backgrounds perform together, leading the audience on a journey of sacrifice, self-discovery, and the hope for acceptance. "Believe" was presented this past August, in The Gross Memorial Chapel at The Asylum Hill Congregational Church in Hartford. This sacred space allowed The Audience to actively grapple with any feelings the environment ignited, alongside oppositional movement, imagery, and ideas. The piece welcomed only thirty Audience Members at a time, allowing for an incredibly unique and intimate theatrical experience.
A physical examination of who we want to be, who we really are, and what we are hiding from...
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